New remix song 2016 cracked#
In the modern era, the remixer has evolved from an exclusive club of elite producers hand-picked by major record labels, working in multimillion-dollar studios and paid hefty fees, to a massive swarm of anonymous kids working in dank bedrooms, using cracked software, and paid nothing. Today, "remix" is everywhere.
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There they applied the same basic principle from dub – strip a record down to its component parts, extend it, change it, add to it, enhance it for a dancefloor – to what became hip-hop and disco, and, later, house, techno, drum & bass, and dubstep. Moving into the '70s, the Jamaican diaspora throughout the world brought musical innovators to seminal locations for the advancement of DJ culture, in particular New York City and London. It's worth repeating that this was the 1960s. These spare "dub" mixes provided ideal music beds for the dancehall MCs – called "DJs" – to perform over, in an early form of rap called "toasting." In the footnotes of music history, the dub remix stands as one of the most astonishingly groundbreaking and avant-garde techniques ever developed. Next they would add special effects like echo and reverb to highlight certain parts of the track and warp it into a sexy, tripped-out instrumental. Their approach was to completely re-record a track, thus "doubling" or "dubbing" it, using primitive equalization and sound processing gear to remove vocals and isolate the underlying rhythm, usually just the drums and bass.
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Trailblazing producers like King Tubby and Lee "Scratch" Perry were trying to create alternate versions of the popular reggae tunes in Kingston's booming dancehall scene. The essential idea of remixing – taking an existing recording and changing its fundamental parts to create a new interpretation of it – first began in Jamaica in the 1960s at the hands of men of African descent.